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Poppy Painting Stage 2

If you read my last post, Poppy Painting Begins, you know I started a new painting featuring poppies as my subject. I finished stage two of the painting over the weekend so I wanted to share it.

Poppy Painting in Oils

Stage two was adding the color. I ended up using oil paints (my first love, in painting anyway) because I just like its blending ability a lot more. So I got all the colors on and now it needs to dry for awhile. Stage three will be adding an antiquing effect of sorts. Since the flowers and their stems are 3-D, made with tissue paper, the color I add for the antique effect will be most pronounced on the flowers. But it will help tone down the brightness of the overall painting and colors too. I could leave it this way, of course. I do like it. But I had planned the antique effect all along, so I’m planning to see it through until it’s finished. Wish me luck! Will post the final photo once I have it all finished.

Tina Siggy

Poppy Painting Begins

I was in the studio most of Sunday having a good, creative day (thanks, Mom!). I started a few projects that will be ongoing, and one of them is this Poppy Painting.

Poppy Painting

Please forgive the quality of the photo. I took it in my studio, which isn’t where I  normally photograph my art and crafts. But since this one is a work in progress I just shot a few pics with my iPhone, and this was the best one. I really need better lighting out there!

Anyhoots, this is going to be a mixed media painting of poppies, inspired by a photo I found in a gardening book my mom had given me several years ago. I knew I wanted to paint flowers, but I wasn’t sure exactly what kind of flowers. So I was browsing through the book and the photo that called out to me was of poppies. I remember living in southern California and seeing fields of poppies from time to time, so it was good inspiration.

I used tissue paper rolled up to create the stems, and just torn pieces of tissue paper for the flowers themselves. I used Mod Podge to adhere them all to the canvas, and then I painted white gesso over everything once it had dried. Normally I would use watered down glue instead of Mod Podge. Using Mod Podge is a first for me in a painting like this. But I just thought I’d give it a try and see how it worked. Hopefully I won’t be disappointed, or have any problems with it.

I will use paint to add the color, of course. And my only real dilemma at the moment is in which kind of paint to use: oils or acrylics. I almost always paint in oils–I just prefer the blending abilities inherent in oils. But of course it takes oils awhile to dry, whereas acrylics dry really quick. Decisions, decisions! So I’m likely going to spend awhile debating which kind of paint to use. Sigh.

In the meantime I just thought I’d share step one of the painting with you, so you can kind of see the “before” image. Wish me luck!

Tina Siggy

Blue Forest at Sunset

This is another of my Nature oil paintings that is also mixed media.  I’ve called it Blue Forest at Sunset. It utilizes the same techniques I used in both my Fall Leaves Mixed Media, as well as my Trees in Orange paintings.

Blue Forest Sunset

I love being able to combine texture into my painting, which this technique with tissue paper allows me to do. I have some ideas rolling around in my head for future projects using this technique. Hopefully I can do some experimenting later this summer. That’s always the challenge though…too many ideas, too little time!

Tina Siggy

Tempest in Oils

This oil painting is kind of a rarity for me. Normally I paint using photos as a reference. I don’t have a photographic memory, so photos really help me in trying to gauge color, size, proportion, etc. But when I painted this it all came out of my head. I call it, Tempest.

Tempest

It wasn’t raining the day I painted it, so maybe the only tempest that was raging that day was in my head. ;) But I just kept seeing clouds and pouring rain up there in my brain, and tried to capture that with some of my favorite colors. It’s not a masterpiece by any means, but I’m pleased with it. Hope you like it too.

Tina Siggy

Pretty in Pink

This rose painting, Pretty in Pink, is the first and only floral painting I’ve ever done in oils.  It was a gift for a close friend for Christmas one year. I was pleased with the results, considering it was a first effort for this subject matter in oils. But it also gave me a new found respect for anyone who creates any florals in oils.

Pretty in Pink Rose Painting

Tina Siggy

Fall Leaves Mixed Media

This is another experiment with the mixed media technique,  also used in my Trees in Orange painting. I’m very inspired by nature and completely in awe of its beauty. So in my artwork and photography, nature is often the subject matter.

Fall Leaves Mixed Media

I didn’t use quite as much tissue paper on this painting as I did in the Trees in Orange painting, but I think it worked just as it was meant to in this painting.

Tina Siggy
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Trees in Orange

This painting is the result of my first experiment with mixed media painting. I actually did this as a project with my students when I was still teaching art at Defiance High School. It was something new and different and it was really fun to do.

Trees in Orange Mixed Media

First I created a simple sketch of the trees I would have in the painting, then I lightly transferred the sketch to canvas.  I used tracing paper to trace the full size trees from the canvas, so that I could then cut pieces of thin poster board to lay on top of parts of the trees in the design, to create a relief.

Once all the relief parts were cut out, I used a watered-down glue mixture to adhere them to the canvas. Then I took tissue paper and tore it up into various sized pieces, and used the same glue mixture to “paint” the tissue paper all over the canvas. The goal was to create texture, as little or as much as desired, all over. This was allowed to dry overnight.

Once the textured relief background was dry, it was time to paint. I used acrylic paints, mixed with a bit of a slow-dry blending medium, to aid in blending the colors (I’m used to painting with oils, so acrylics always challenge me!).  I chose a complimentary color scheme, using oranges and yellows on the trees so they would really jump off the canvas.

Once the painting was finished and dried, I used thinned out burnt sienna oil paints (thinned with regular paint thinner) to get some shadows and contrast in the texture on the canvas. I alternately brushed on some paint, then rubbed off the excess with a clean rag. It’s not super easy to see that detail in the photo. Another thing the thinner did, especially in the background, was to lighten parts of the blue color, giving it really nice changes in value.

The finished painting was left to dry for several days, then sealed with a clear acrylic primer to give it a sheen. Normally I’m not one for an ultra-shiny painting, but for some reason, it just worked for me on this painting.

Tina Siggy